A Fuzzy Plan

Every time I’ve stepped onto the slopes below the final tiers of Polar Circus, I’ve been blown away. The majesty of those ribbons of ice pouring through an immaculate rock amphitheater is awe inspiring. Solar Circus was born out of a desire to experience that awe in a different season, from a different vantage point.

A rough topo, don’t read into it too closely. Look at the pitch breakdown, follow your alpine nose.

As Gavin and I descended Polar Circus in February, we found ourselves staring up at the rock buttress on the left side of the amphitheatre. We traced lines across snowy ramps and up steep corners with our eyes. We saw a plausible path between weaknesses. A single blank section of steep gray rock presented the biggest question mark. But a seed had been planted in my mind, and I knew we needed to return in the summer.

Out with Alex Weber and Josh Zahl in the winter, years ago.

I’ve developed an addiction to this sort of adventure climbing. You get an idea, pour over photos, talk through a plan, select your equipment, and set an alarm for an early start. Once you’re up there, it’s just you and your partner, in the unknown, supporting each other and living completely in the moment. When things go well, you’re grateful. When they get challenging and scary, you revel in the adventure.

Twenty-two bolts. Twelve for lead protection, ten with rap rings for our descent. Two drill batteries, two bits. An eight millimeter removable bolt and its bit. A wrench, a brush, a blower, a hammer. Not a light loadout. The route would have an alpine character, but we were prepared for the reality of working our way through blank slabs.

A perfect morning on pitch one.

A Meandering Approach

We left town at five, got fast food, and found ourselves at the parking at seven. Hiking gave way to scrambling as we moved up rock steps, avoiding the loose avalanche gully to our left and the waterfalls to our right. We located the most plausible weakness through the rock band beside the first pitch of Polar Circus, and the rope came out.

Tip-toeing up pitch three.

Still in approach shoes, I worked my way up the slab. I found a bit of gear initially, but it didn’t take long before the climbing became runout. I asked Gavin if he wanted to add a bolt for future parties while he seconded the pitch, and he pointed out that we may not want to chip into our limited supply already. Another easy pitch followed. We worked our way across a ledge system and up a gulley before encountering another slab. The rock was excellent, but again it was a runout pitch. A theme was developing.

The pencil as a stunning waterfall.

We put the ropes away and scrambled along toward The Pencil. It was tantalizing to hear the rushing water but not have a view of it. Eventually we rounded a crest and saw the torrent pouring through a sharp rock cleft and out of view into space below. An alarm on my watch sounded, the scrambling hadn’t sent my heart rate too high, but the view did.

The pencil in its frozen winter majesty.

We made our way up to the ledge atop The Pencil and took our first proper break. The temperature was cool but soothing, the setting idyllic. A ways above us a chossy band loomed, guarding our passage to the upper headwall.

Enjoying the rest, oblivious to the challenges that lay ahead.

The scrambling continued up an approachable ramp, which gave way to beautiful arete climbing that felt like it belonged on a high mountain ridge. At its top we got our first proper view of the waterfalls pouring through the upper tiers, a view I’d been dreaming of since February. A narrow walkway in the sky led across to our choss band.

Perhaps I’ve been in the Rockies too long, but to me this qualifies as lovely scrambling.

In true Rockies form, we decided to try to avoid climbing up the choss band by traversing across it. We popped the rope back out and tied in for a running belay. The ledge looked terrible, but it was more exposed and loose than it was difficult. On the other side we packed the rope away and kept scrambling up to the headwall.

I haven’t been in the Rockies long enough for this to look good.

An Imposing Headwall

There is freedom in choosing your own line, but also some anxiety about making the right choice. I tied back in and meandered up a moderate but somewhat runout pitch, keeping an eye more on where we were heading next than what looked good right in front of me. I built an anchor atop a pinnacle and brought Gavin up, looking across at the bold start he’d face on the next pitch when I handed over the reins.

I always enjoy the gentle arc of a rope swooping off into space.

He stepped out sideways onto the slab, traversing beneath an overlap. A few burly moves surmounted it and led to a shallow corner and his first protection. I muttered something about the merits of the fixed point belay in this situation. He danced across a tower of loose rock and up a slab to gain a corner system we’d eyed up in February. Wanting to avoid too many transitions, he kept going, working his way up the tricky corner to belay on thin gear beneath a roof.

His next lead was technical. The corner continued steeply above us, but it was fairly closed off and didn’t appear to offer much in the way of protection or edges for feet. He quested rightward across the slab instead, moving further and further from his last good piece as he traversed. I kept nudging him to tag the drill over and place a bolt, perhaps more to put my mind at ease than anything else. He worked his way across a steep cleft, protected only by dubious tipped out cams. Finally he found a reasonable free stance to place a bolt from, and brought the drill over. He continued up a technical slab face, but at least now the protection was reasonable. He built a belay and brought me up.

Sometimes, sideways is the right ways.

We’d come to the base of the blank gray wall that had been a question mark in our minds since we first looked at the line. Our fallback plan was to equip it in an aid climbing fashion. We could aid upward on bolts, alternating between proper wedge bolts and a removable bolt, which would let us keep the spacing logical. Then we’d pull the rope and try to free the pitch.

But I didn’t want to resort to those tactics unless we had to. I led off, running it out across a tenuous face and up an ugly but surprisingly stable pinnacle. I found some trad protection and continued carefully upward. Eventually I got to a solid stance, and stared up at an immaculate gray slab, and a right trending closed up roof/corner. The time had come for bolts, and I placed the first one before tip-toeing upward. Facing a relatively clean fall, I pushed onward to a more tenuous stance. I fumbled with the drill, alternately shaking hands as I placed the next bolt. Once it went in, I conceded to an ‘alpine red-point’. I told myself that if I could shake indefinitely at the stance, it was acceptable to sit on the bolt for a moment and rest my swollen feet, which were now cooking in the sun and feeling crushed by tight shoes.

Sometimes, having a drill kills the sense of commitment. It’s a get out of jail free card to protect or retreat at any time. But we could tell from the highway that bolts would be the only way to protect this sequence, and drilling from free stances keeps the heat alive.

I tried to climb up and right across the slab, but couldn’t find enough edges to make it work. I descended back to the bolt. I tried again up and left, and climbed my way to a strange undercling, far enough from my last bolt that I had no interest in reversing the sequence. Again, I placed the bolt from a free stance, before succumbing to the temptation of resting my weary feet by hanging on it.

The next sequence was devious. I whipped twice trying to work out the beta. Falls are much more exciting when you’re on the side of a mountain with a double rack, pitons, and a drilling setup hanging from your harness. Eventually I put the moves together, and quested onward up the slab towards a better stance for a final bolt. The climbing eased, and a few trad placements led me to the top of the slab and a ledge where I could put in a bolted anchor. Our biggest question mark was now resolved, in a manner free enough for my alpine ethic. Gavin followed the pitch clean with a weighty pack, and talked me out of sandbagging the grade.

This sequence was devious to follow, I can’t really blame him for clipping the cam short.

If there is one thing Gavin was fond of that day, it was putting ninety degree turns in the rope line. He started upward on a slab, placed two bolts from free stances, then ran it out straight sideways (and at times downward) across the face. He plugged in a cam, clipped it short, and headed straight back up. Technical bulges up a corner followed, and he put in a belay part way up a massive looming corner system.

I swear there is actually a lot of solid gray stone on this route. I may be an unrepentant choss-addicted sandbagger, but I know solid slab when I see it.

The next pitch looked awesome. Steep, often juggy, and most importantly, there was an actual crack that would take gear. I slotted in nuts and plugged cams. I reveled in the best protection so far on the route as I jammed and lay backed my way up. I came to the crux roof sequence and took my time fiddling in a few good pieces of pro before committing. Huge overhanging jugs on the left wall let me gain height before a powerful series of side pulls let me slide back right above the roof. A chossy ramp led to a beautiful belay ledge atop a tower. The top of our line was in sight, and to my eyes, the remaining terrain looked like a friendly alpine corner system.

It’s too bad it’s so hard to capture magical sequences while you’re in them. Guess you’ll just have to repeat the route to experience it!
See! It’s incredible! Okay fine it doesn’t look like much. I don’t care. It was great. P.S. that’s the pencil waterfall in the background.

Gavin joined me, and his eyes accurately saw a much greater challenge. The rock on his lead was often terrible, and sporadic gear protected the easy climbing well and the hard climbing poorly. As the pitch steepened towards the end, the loose rock at least presented large, if suspect holds. He put in an anchor, and a large hold snapped off in my hand just before I joined him at it.

Pitch 11. In which I was hilariously wrong about how much difficulty was left.

I went into our final pitch optimistically, but it was a true test piece for me. Tricky sporadic protection, technical movement, steep bulges, razor sharp jamming, and questionable rock integrity had me pondering every movement carefully as my breathing ramped up. I teetered up a final choss pinnacle, most of my large cams depleted, and spent long moments pondering my next move. I poked my head past a lip and saw that the rock above turned into fourth class downsloping shale. The drop off to my right wrapped back underneath me, overhung, with the top of the Polar Circus waterfall pouring down onto slabs below. I carefully positioned a number three and reached deep into a cold cleft to blindly wiggle in a point-five. I batman-ed back down my rope, back cleaned a number four, add it to my anchor, and brought Gavin up.

From our high mark. I agonized about whether to finish the pitch here or forge on into choss-choss-choss. You can see Gavin’s highly photogenic blue-on-blue in frame if you look close enough.

A Stunning Descent

In my head, we were going to scramble out the top on choss and hike down to the top of Polar Circus to begin our descent. Gavin never had any intention of going beyond this point, and suggested that we start our rappels. I’m damn glad he did. This is the first time I’ve fully appreciated and embodied this cheeky quote.

“Stopping at the end of the, ahem, difficulties.”

— Kelly Cordes

A strong contender for the most beautiful rappel I’ve ever done.
What the heck is going on with this column of rock?

Two incredible rope stretchers took us down the overhung wall, with absolutely spectacular views of the whole amphitheater and its surging waterfalls all around us. A third rappel took us down rock slabs past the ribbon. It was ten o-clock, and our headlamps came out. We traversed on ledges before doing our final rappel in the spray beside the start of the upper tiers.

In the winter, one of my favorite pitches of WI4. In the summer, a calming mist.

From here the adventure continued, but the excitement abated, and it became merely a mission to get home before sunrise. I found a lost ice tool as we hiked back out toward the pencil-turn ledge. I bet there’s a bunch more lost gear scattered around, slowly being swept toward the road by avalanches. We descended ledges skiers left of Polar Circus, alternately scrambling downward and rappelling off trees as we encountered cliffs.

Eventually we came to the top of the first pitch of Polar, and did a final rappel off a single ring bolt to land at the base of the falls. The tails of our rope were swept downstream in the current. We packed them away for the last time and hiked back across the traverse ledge and down the avalanche gulley. It’s much less fun when it’s thin scree atop hard packed dirt. We dreamed of winter butt slides as we struggled downward.

Finally, we arrived back at the car, eighteen hours after we’d left it. It was a long day, but it felt civilized compared to our twenty-six-hour saga on Confessions of a Choss Gobbler the year before.

Musings

I’m proud of how we executed on this vision. It was ambitious and taxing, both physically and mentally. But everything went more or less ‘according to plan’. The climbing often felt bold and audacious, but never out of control. We prepared well and brought the right skills and tactics to bear. First ascents in the alpine always carry heightened risk, but it didn’t feel like we got away with something we shouldn’t have been doing.

I love the contrast of the rock features in this photo.

Strangely, a part of me feels almost like something is missing because it went so smoothly (in a relative sense). It’s as though I was waiting for the hammer to fall the whole time, and when it never did, it made the adventure feel almost incomplete. It’s not that I wanted something to go wrong, more that there was no singular point of adversity to identify as the obstacle we had to overcome or endure to succeed. There was no point of climax, just a steady siege.

Moody lighting after sunset. The upper corners actually show well in this photo.

All the same, this is another adventure which I’ll cherish for a lifetime. I’m going through the Apprentice Alpine Guide courses, training, and exams this summer. The process leaves me without as much time to do ‘personal’ climbing. So, I’m trying to really make those days count. For me, a day in the alpine is worth ten at the crag, and I’ll always be grateful for Gavin’s supportive, curious, and eternally positive vibes when we’re out there together, looking for trouble.

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